Since the first
time I played this cast recording that a cut number from THE MYSTERY OF EDWIN
DROOD comes to my mind. It’s title is “An English Music Hall” and that’s
exactly what this score is.
Robert L.
Freedman (book and lyrics) and Steven Lutvak (music) take us back to the glory
days of the operetta and English Music Hall, with an amusing score that I’m
sure it works even better on stage. The songs are richly plotted and character
orientated and the result is harmonious and witty.
This show may
belong to Bryce Pinkham as the gentleman of the title and Jefferson Mays as all
his cousins, but the ladies Lisa O’Hare and Lauren Worsham shine in the funny “I
Don’t Know What I’Do” and in the operatic “Inside Out” respectively; together
with Pinkham they sound completely delicious in “I’ve Decided to Marry You” and
“That Horrible Woman”, a truly theatrical song.
Pinkham has his
big moments with “Foolish to Think” and the delightful “Poison in My Pocket”, a
tuneful comic song. As for Mays, he’s simply wonderful on the duet “Better With
a Man” and even better with the hilarious “Lady Hyacinth Abroad”. He also leads
the politically incorrect “I Don’t Understand the Poors”.
One of my favorite
tracks is “The Last One You’d Expect”, probably the most serious song of the
score. But, besides the songs I already mentioned, I also enjoyed “Poor Monty”
sweetly sung by O’Hare or the funny “Looking Down the Barrel of a Gun”.
Subtler than
recent hits like THE PRODUCERS and THE BOOK OF MORMON, this is a real comic
score, pleasant to listen to and with lyrics that will make you laugh or at
least smile. It has a strong chance to be this Broadway’s season big award
winner.
Rate: 7 (from 1
to 10)
well,
ReplyDeleteTo counter act fear you have to be prepared. You have to know youinstrument and know your limitations.guiter,dj speaker,bass guiter Sometimes bands or individual musicians try a little too hard to impress and step over the bounds of their musical ability. I am not saying playing it safe is what you do all the time. However when you go for it, I mean really go for it, you should know if it is the proper time, the proper song, the proper audience. You simply can not go for it in every song